With blaxTARLINES KUMASI, Ohene-Ayeh develops cultural platforms, curriculums, residencies, social networks, studios, and public access art spaces. He is also a member of the Exit Frame Collective, which organises professional development programmes for artists and curators in Ghana.

He has also assisted in the construction of all blaxTARLINES KUMASI’s exhibitions. He had his first solo exhibition in 2018 titled, “Lines, Planes and Ridges in between”. Aside blaxTARLINES KUMASI’s exhibitions, he has participated in other group exhibitions such as the (2016) “Chale Wote” street art festival, (2019) “YOUNG African ART” organized by YAG/ garage in Pescara Italy.

It is responsible for demystifying art from classical and pre-1960s European modernist predeterminations in Ghana’s foremost art college in KNUST, Kumasi. Title: the Gown must go to Town - blaxtarlines - Press Release.pdf Created Date: 2/29/2016 5:23:01 PM Blaxtarlines Kumasi. China’s ambassador to Ghana, Sun Baohong, poses with a cartoon criticizing China’s role in Africa. From our Obsession.

It has a Home Tags BlaxTARLINES KUMASI. Tag: blaxTARLINES KUMASI. Open Call For Artists, Art Writers & Curators For CritLab.2020. Art July 27, 2020. logo animation for blaxTARLINES KUMASI ..

Among the schools and institutions in the network are Foundation for Contemporary Art (FCA)- Ghana, SCCA Tamale, University of Nigeria, Nsukka, CCA Lagos, Gudskul, Jakarta, HFBK Hamburg, Städelschule Frankfurt, SAVVY Contemporary, Berlin, and ENSBA Paris. blaxTARLINES KUMASI, Project Space for Contemporary Art, at the Department of Painting and Sculpture, KNUST, presents “Cornfields in Accra”, the 2016 end-of-year art exhibition at the Museum of Science and Technology in Accra. “Cornfields in Accra” borrows its title from Ghanaian writer Ama Ata Aidoo’s eponymous poem.

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The exhibition follows two major shows by KNUST’s Department of Painting and Sculpture last year — one at a repurposed car showroom in Kumasi (Silence between the Lines), another at the National Museum of Science and Technology in Accra (the Gown must go to Town), as well as the launch of blaxTARLINES KUMASI, the Department’s project space for contemporary art. if you love me 2019-01-20 De senaste tweetarna från @blaxtarlines El Anatsui's nomination was made by blaxTARLINES KUMASI, the project space of the Department of Painting and Sculpture, KNUST.

BlaxTARLINES Kumasi is on Facebook. Join Facebook to connect with BlaxTARLINES Kumasi and others you may know. Facebook gives people the power to share and makes the world more open and connected.

He received his honour at a Special Congregation Ceremony on Friday, 24th November, 2017. Prof. El Anatsui's nomination was made by blaxTARLINES KUMASI, the project space of the Department of Painting and Sculpture, KNUST. blaxTARLINES KUMASI is a collectivist response to the hopeless conditions that characterize the state of institution-building in contemporary art in the “cultural slum” 8 that is Ghana. It is the contemporary art institution based at the Department of Painting and Sculpture at KNUST directly responsible for successfully implementing a radical openness to the concept and practice of art.

BlaxtarLINES blaxTARLINES KUMASI, Project Space for Contemporary Art, at the Department of Painting and Sculpture, KNUST, presents “Cornfields in Accra”, the 2016 end-of-year art exhibition at the Museum of Science and Technology in Accra. “Cornfields in Accra” borrows its title from Ghanaian writer Ama Ata Aidoo’s eponymous poem. Intergenerational conversations, collective curating and accessibility programming are vital to the curatorial model adopted by blaxTARLINES KUMASI during this series of exhibitions. blaxTARLINES actively collaborates with GMMB and MST in programming and curating to incorporate artefacts in their permanent collection into its exhibitions. Orderly Disorderly, (nazaKU, 2014-2017, Museum of Science and Technology, Accra, Ghana by blaxTARLINES, Kumasi) Rituals of Becoming, (Solo show, Gallery 1957, Ghana) 2016.
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blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at the Department of Painting & Sculpture at KNUST The exhibition follows two major shows by KNUST’s Department of Painting and Sculpture last year — one at a repurposed car showroom in Kumasi (Silence between the Lines), another at the National Museum of Science and Technology in Accra (the Gown must go to Town), as well as the launch of blaxTARLINES KUMASI, the Department’s project space for contemporary art. if you love me Co-curated by Robin Riskin, Patrick Nii Okanta Ankrah, and Selom Kudjie powered by blaxTARLINES KUMASI, in partnership with the KNUST Department of Painting and Sculpture, Ghana Railway Company Ltd., and Ghana Railway Workers Union Kumasi Locomotive Shed, 2016 (image by Selom Kudjie) if you love me… is a collaborative effort of railway workers, occupants, engineers, artists, and students of blaxTARLINES KUMASI 2015 - Present 6 years. Kumasi, Ghana Press & Communications Dak’Art Biennale Apr 2014 - May 2014 2 With blaxTARLINES KUMASI, Ohene-Ayeh develops cultural platforms, curriculums, residencies, social networks, studios, and public access art spaces.

if you love me Co-curated by Robin Riskin, Patrick Nii Okanta Ankrah, and Selom Kudjie powered by blaxTARLINES KUMASI, in partnership with the KNUST Department of Painting and Sculpture, Ghana Railway Company Ltd., and Ghana Railway Workers Union Kumasi Locomotive Shed, 2016 (image by Selom Kudjie) if you love me… is a collaborative effort of railway workers, occupants, engineers, artists, and students of blaxTARLINES KUMASI 2015 - Present 6 years. Kumasi, Ghana Press & Communications Dak’Art Biennale Apr 2014 - May 2014 2 With blaxTARLINES KUMASI, Ohene-Ayeh develops cultural platforms, curriculums, residencies, social networks, studios, and public access art spaces. He is also a member of the Exit Frame Collective, which organises professional development programmes for artists and curators in Ghana.
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Blaxtarlines Kumasi. China’s ambassador to Ghana, Sun Baohong, poses with a cartoon criticizing China’s role in Africa. From our Obsession. China in Africa. By Kwasi Gyamfi Asiedu & Commentary.

By Kwasi Gyamfi Asiedu & Commentary. Orderly Disorderly, (nazaKU, 2014-2017, Museum of Science and Technology, Accra, Ghana by blaxTARLINES, Kumasi) Rituals of Becoming, (Solo show, Gallery 1957, Ghana) 2016. Bone 19, (performance art Festival, Bern, Switzerland) ‘Cornfields in Accra’, (frozen, 2016 Museum of Science and Technology, Accra, Ghana by blaxTARLINES, Kumasi KNUST Painting and Sculpture, Kumasi, Ghana. 1.8K likes · 19 talking about this · 1,978 were here. BlaxtarLINES 2017-07-10 Title: the Gown must go to Town - blaxtarlines - Press Release.pdf Created Date: 2/29/2016 5:23:01 PM blaxTARLINES KUMASI is affiliated with a growing number of schools, institutions, museums and art professionals across five continents. Among the schools and institutions in the network are Foundation for Contemporary Art (FCA)- Ghana, SCCA Tamale, University of Nigeria, Nsukka, CCA Lagos, Gudskul, Jakarta, HFBK Hamburg, Städelschule Frankfurt, SAVVY Contemporary, Berlin, and ENSBA Paris.

blaxTARLINES KUMASI is an experimental incubator of contemporary art and a sharing community. It has a lineage of radical art and community projects dating back to the 1990s. It is responsible for demystifying art from classical and pre-1960s European modernist predeterminations in Ghana’s foremost art college in KNUST, Kumasi.

KNUST was established in 1961, succeeding the colonial Kumasi College of … The Artist Collective and its networks launched blaxTARLINES, an artist incubator and project space, a trilogy of exhibition in Kumasi in 2015. The yearly event is dubbed: 'Orderly Disorderly' which is noted as the most far-reaching exhibitions of contemporary art in Ghana's history and is organised by blaxTARLINES and supported by Ghana Museums and Monuments Board (GMMB) to develop tourism. blaxTARLINES KUMASI "Changing Lessons:The Kumasi School of “Art and Crafts” in a Scottish Regime (1952-1962)"-- by kąrî'kạchä seid’ou. BlaxTARLINES Kumasi is on Facebook. Join Facebook to connect with BlaxTARLINES Kumasi and others you may know. Facebook gives people the power to share and makes the world more open and connected. 2018-07-05 · These ideas have manifested curatorially in blaxTARLINES KUMASI’s critically acclaimed end of year exhibitions in Kumasi and Accra since 2014.

Speculations… (2018), featuring 16 artists from Ghana, Holland and Colombia, in Kumasi.